It seems equally likely that these details reveal the painter’s continuing uncertainty in portraiture, and that through them he attempted to work out some of the difficulties caused by the face-on pose.

This is an imaginative suggestion but it might be asked how much more beneficial this would have been than painting the details in their rightful place. The unexpected details of mouth and face which float beside the sitter’s head appear as ‘reference’ notes to help the completion of the painting after Bourgoint’s departure. The whole has a casual feeling which conveys the familiarity of the sitter but did not lead to a resolved composition. As it is, the figure is squeezed close to the right edge. Had it been wider, it would have allowed the sitter to be placed at the angle devised in a preparatory drawing. Indeed the elongated shape of the canvas seems to have been the source of compositional problems. In a note about the painting, Jim Ede discussed it as if it had been made in a hurry.

Given Jean’s liberated attitude, the spiky Siamese introduces something of the sexuality of the fey youths of Cocteau’s circle, an identification which is further signalled by the coincident blue of the eyes of sitter and pet. Traditionally cats have symbolised fickleness and promiscuity, and the artist must surely have been aware of this. In both paintings Wood chose to include an animal whose nature is meant to reflect some aspect of the sitter, in this case a cat. As well as a series of drawings of both Bourgoints, he made this portrait and one of Jeanne now in the collection of the University of Essex, Colchester. Wood formed a special attachment to Jeanne, with whom he had a brief and tempestuous relationship and whom he considered “the ideal female model for me”. The Bourgoints were prominent figures in the Parisian circle of poet Jean Cocteau, and were said to be the models for his novel of sibling love and destruction Les Enfants Terribles. It is likely that Christopher Wood painted this portrait in 1926, having come to know Jean Bourgoint and his sister Jeanne during the previous year.

Cat in the kettle artist